My second landscape quilting project. Most people, when they think of landscape quilting, think of strips of fabric sewn onto a background piece to resemble great swaths of countryside. That isn't the landscape quilting that I was introduced to and I prefer something with much greater detail. I think it is rather like one's taste in art; I have never been drawn to modern art or interpretative art, but I love art that is completely realistic. I love the use of the artist's brush to make details that are so true-to-life, better even than photography because they have been rendered by hand.
I have tried to reproduce in fabric what one man did with his paintbrush. He called it All in the Family, a scene of birds coming to a feeder and bird house in winter, against a background of a house with wood siding and holly branches.
The artist is William Mangum and I discovered him through a zigsaw puzzle that I did.
file:///home/chronos/u-5c38bd7175b50a50d3345622b01465c5e43fcc0e/MyFiles/bird%20feeder/All%20In%20The%20Family%20-%20Limited%20Edition%20-%20William%20Mangum%20Fine%20Art.mhtml
And this is my effort so far. I have cut all the fabric pieces and sewn them onto a background fabric that is a mottled grey. The sewing is free-motion quilting through three layers, the background fabric, a light quilt batting, and another fabric for the backing. The stitching is done with invisible thread on the top and a thread to match the backing in the bobbin.
The completed wall-hanging is 13 by 24 inches, about the same size as the original painting.
I only had access to chickadees for my birds, so all of them are the same type of birds. I don't have the variety that Mangum had in his painting. If I find fabric with other birds that are the right size, I can always sew them on top of the birds there now.
A close up of the project, perhaps you can see the free-motion stitches
What is left to do now is to bind the quilt. I will use the same fabric as the one used for the window top left. The binding will be a narrow 3/8" binding, I won't do a double binding as I want the image to be the prime focus. After that, I am going to do shading with oil and wax pastels in order to simulate the shadows that are in the painting.
Perhaps this will never be finished! I have been working on it for over a month now, I always see something new that should be done. But I have thoroughly enjoyed the whole exercise. I don't think I have been so engrossed in anything for a long time; two hours at the sewing machine flies by and I look forward to more of these landscape quilts in the future.
I will post a picture of the finished wall hanging once the binding is on and the shading is complete.
